e-book Revolutionary Cycles in Chinese Cinema, 1951–1979

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Revolutionary Cycles in Chinese Cinema, 1951–1979

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Revolutionary Cycles in Chinese Cinema, – - Z. Wang - Google книги

A comprehensive history of how the conflicts and balances of power in the Maoist revolutionary campaigns from to complicated and diversified the meanings of films, this book offers a discursive study of the development of early PRC cinema. Looking at the conception, production, distribution, and reception of movies from to , Wang fleshes out Chinese film culture in troubled times.

Examining both material circumstances and ideological debates, he shows in fine detail how filmmakers operated, what facilitated their work, and which obstacles they faced. This book is indispensable reading for those interested in the interaction between film and politics and in the power of culture in times of adversity. Wang is commended for probing beneath the deceptive surface of revolutionary rhetoric and revealing quandaries and ruptures that repeatedly compromised revolutionary and artistic goals.

Rather than focusing on the films alone or the policies and production practices that shape them, Wang draws on Rick Altman's insights about film genres to emphasize what he calls a 'user-centred' approach. He examines how different social and political groups use films for their own purposes, and how this shapes both their production and reception. The result is not only a livelier and more engaging picture of.

Chinese revolutionary era film history but also a model for conducting this new kind of film history.


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He has made an important intervention and expanded our vocabulary in discussing the production, distribution, and reception of films that are different from and yet similar to those produced in a capitalist system. JavaScript is currently disabled, this site works much better if you enable JavaScript in your browser. Publishing With Us.